Part 7 of 39
He happened, as he spoke, to direct his gaze into the next room, and saw Frau Chauchat’s full face, with its narrow eyes and broad cheekbones. “What is it, what or whom in all the world does she remind me of?” But his weary brain, despite the effort he made, refused an answer.
“Of course,” he went on, “it is true it is not so easy for me to get acclimatized up here. But that was to be expected. I’d be ashamed to chuck it up and go away like that, just because I felt upset and feverish for a few days. I’d feel a perfect coward. It would be a senseless thing to do, you admit it yourself, don’t you?”
He spoke with a sudden insistence, jerking his shoulders excitedly—he seemed to want to make the Italian withdraw his suggestion in form.
“I pay every homage to reason,” Settembrini answered. “I pay homage to valour too. What you say sounds well; it would be hard to oppose anything convincing against it. I myself have seen some beautiful cases of acclimatization. There was Fräulein Kneifer, Ottilie Kneifer, last year. She came of a good family—the daughter of an important government official. She was here some year and a half and had grown to feel so much at home that when her health was quite restored—it does happen, up here; people do sometimes get well—she couldn’t bear to leave. She implored the Hofrat to let her stop; she could not and would not go; this was her home, she was happy here. But the place was full, they wanted her room, and so all her prayers were in vain; they stood out for discharging her cured. Ottilie was taken with high fever, her curve went well up. But they found her out by exchanging her regular thermometer for a ‘silent sister.’ You aren’t acquainted as yet with the term; it is a thermometer without figures, which the physician measures with a little rule, and plots the curve himself. Ottilie, my dear sir, had 98.4°; she was normal. Then she went bathing in the lake—it was the beginning of May; we were having frost at night; the water was not precisely ice-cold, say a few degrees above. She remained some time in the water, trying to contract some illness or other—alas, she was, and remained, quite sound. She departed in anguish and despair, deaf to all the consolations her parents could give. ‘What shall I do down there?’ she kept crying. ‘This is my home!’ I never heard what became of her.—But you are not listening, Engineer. Unless I am much mistaken, simply remaining on your legs costs you an effort. Lieutenant!” he addressed himself to Joachim, who was just coming up. “Take your cousin and put him to bed. He unites the virtues of courage and moderation—but just now he is a little groggy.”
“No, really, I understood everything you said,” protested Hans Castorp. “The ‘silent sister’ is a mercury thermometer without figures—you see, I got it all.”
But he went up in the lift with Joachim and several other patients as well, for the conviviality was over for the evening; the guests were separating to seek the halls and loggias for the evening cure. Hans Castorp went into his cousin’s room. The corridor floor, with its strip of narrow coco matting, billowed beneath his feet, but this, apart from its singularity, was not unpleasant. He sat down in Joachim’s great flowered armchair—there was one just like it in his own room—and lighted his Maria Mancini. It tasted like glue, like coal, like anything but what it should taste like. Still he smoked on, as he watched Joachim making ready for his cure, putting on his house jacket, then an old overcoat, then, armed with his night-lamp and Russian primer, going into the balcony. He turned on the light, lay down with his thermometer in his mouth, and began, with astonishing dexterity, to wrap himself in the two camel’s-hair rugs that were spread out over his chair. Hans Castorp looked on with honest admiration for his skill. He flung the covers over him, one after the other: first from the left side, all their length up to his shoulders, then from the feet up, then from the right side, so that he formed, when finished, a neat compact parcel, out of which stuck only his head, shoulders, and arms.
“How well you do that!” Hans Castorp said.
“That’s the practice I’ve had,” Joachim answered, holding the thermometer between his teeth in order to speak. “You’ll learn. Tomorrow we must certainly get you a pair of rugs. You can use them afterwards at home, and up here they are indispensable, particularly as you have no sleeping-sack.”
“I shan’t lie out on the balcony at night,” Hans Castorp declared. “I can tell you that at once. It would seem perfectly weird to me. Everything has its limits. I must draw the line somewhere, since I’m really only up here on a visit. I will sit here awhile and smoke my cigar in the regular way. It tastes vile, but I know it’s good, and that will have to do me for today. It is close on nine—it isn’t even quite nine yet, more’s the pity—but when it is half past, that is late enough for a man to go to bed at least halfway decently.”
A shiver ran over him, then several, one after the other. Hans Castorp sprang up and ran to the thermometer on the wall, as if to catch it in flagrante. According to the mercury, there were fifty degrees of heat in the room. He clutched the radiator; it was cold and dead. He murmured something incoherent, to the effect that it was a scandal to have no heating, even if it was August. It wasn’t a question of the name of the month, but of the temperature that obtained, which was such that actually he was as cold as a dog. Yet his face burned. He sat down, stood up again, and with a murmured request for permission fetched Joachim’s coverlet and spread it out over himself as he sat in the chair. And thus he remained, hot and cold by turns, torturing himself with his nauseous cigar. He was overcome by a wave of wretchedness; it seemed to him he had never in his life before felt quite so miserable.
“I feel simply wretched,” he muttered. And suddenly he was moved by an extraordinary and extravagant thrill of joy and suspense, of which he was so conscious that he sat motionless waiting for it to come again. It did not—only the misery remained. He stood up at last, flung Joachim’s coverlet on the bed, and got something out that sounded like a good night: “Don’t freeze to death; call me again in the morning,” his lips hardly shaping the words; then he staggered along the corridor to his own room.
He sang to himself as he undressed—certainly not from excess of spirits. Mechanically, without the care which was their due, he went through all the motions that made up the ritual of his nightly toilet; poured the pink mouthwash and discreetly gargled, washed his hands with his mild and excellent violet soap, and drew on his long batiste nightshirt, with H. C. embroidered on the breast pocket. Then he lay down and put out the light, letting his hot and troubled head fall upon the American woman’s dying-pillow.
He had thought to fall asleep at once, but he was wrong. His eyelids, which he had scarcely been able to hold up, now declined to close; they twitched rebelliously open whenever he shut them. He told himself that it was not his regular bedtime; that during the day he had probably rested too much. Someone seemed to be beating a carpet out of doors—which was not very probable, and proved not to be the case, for it was the beating of his own heart he heard, quite outside of himself and away in the night, exactly as though someone were beating a carpet with a wicker beater.
It had not yet grown entirely dark in the room; the light from the little lamps in the loggias, Joachim’s and the Russian pair’s, fell through the open balcony door. As Hans Castorp lay there on his back blinking, he recalled an impression amongst the host received that day, an observation he had made, and then, with shrinking and delicacy, sought to forget. It was the look on Joachim’s face when they spoke of Marusja and her physical characteristics—an oddly pathetic facial distortion, and a spotted pallor on the sun-browned cheeks. Hans Castorp saw and understood what it meant, saw and understood in a manner so new, so sympathetic, so intimate, that the carpet-beater outside redoubled the swiftness and severity of its blows and almost drowned out the sound of the evening serenade down in the Platz—for there was a concert again in the same hotel as before, and they were playing a symmetrically constructed, insipid melody that came up through the darkness. Hans Castorp whistled a bar of it in a whisper—one can whistle in a whisper—and beat time with his cold feet under the plumeau.
That was, of course, the right way not to go to sleep, and now he felt not the slightest inclination. Since he had understood in that new, penetrating sense why Joachim had changed colour, the whole world seemed altered to him, he felt pierced for the second time by that feeling of extravagant joy and suspense. And he waited for, expected something, without asking himself what. But when he heard his neighbours to right and left conclude their evening cure and reenter their rooms to exchange the horizontal without for the horizontal within, he gave utterance to the conviction that at least this evening the barbaric pair would keep the peace.
“I can surely go to sleep without being disturbed; they will behave themselves,” he said. But they did not, nor had Hans Castorp been sincere in his conviction that they would. For his part, to tell the truth, he would not have understood it if they had. Notwithstanding which, he indulged in soundless expressions of utter astonishment as he listened.
“Unheard of,” he whispered. “It’s incredible—who would have believed it?” And between such exclamations joined again in the insipid music that swelled insistently up from the Platz.
Later he went to sleep. But with sleep returned the involved dreams, even more involved than those of the first night—out of which he often started up in fright, or pursuing some confused fancy. He seemed to see Hofrat Behrens walking down the garden path, with bent knees and arms hanging stiffly in front of him, adapting his long and somehow solitary-looking stride to the time of distant march-music. As he paused before Hans Castorp, the latter saw that he was wearing a pair of glasses with thick, round lenses. He was uttering all sorts of nonsense. “A civilian, of course,” he said, and without saying by your leave, drew down Hans Castorp’s eyelid with the first and middle fingers of his huge hand. “Respectable civilian, as I saw at once. But not without talent, not at all without talent for a heightened degree of oxidization. Wouldn’t grudge us a year, he wouldn’t, just one little short year of service up here. Well, hullo-ullo! gentlemen, on with the exercise,” he shouted, and putting his two enormous first fingers in his mouth, emitted a whistle of such peculiarly pleasing quality that from opposite directions Miss Robinson and the schoolmistress, much smaller than life-size, came flying through the air and perched themselves right and left on the Hofrat’s shoulders, just as they sat right and left of Hans Castorp in the dining-room. And the Hofrat skipped away, wiping his eyes behind his glasses with a table-napkin—but whether it was tears or sweat he wiped could not be told.
Then it seemed to the dreamer that he was in the school courtyard, where for so many years through he had spent his recesses, and was in the act of borrowing a lead-pencil from Madame Chauchat, who seemed to be there too. She gave him a half-length red pencil in a silver holder, and warned him in an agreeable, husky voice to be sure to return it to her after the hour. And as she looked at him—with her narrow, blue-grey eyes above the broad cheekbones—he tore himself by violence away from his dream, for now he had it fast and meant to hold it, of what and whom she so vividly reminded him. Hastily he fixed this occurrence in his mind, to have it fast for the morrow. Then sleep and dream once more overpowered him, and he saw himself in the act of flight from Dr. Krokowski, who had lain in wait for him to undertake some psychoanalysis. He fled from the doctor, but his feet were leaden; past the glass partitions, along the balconies, into the garden; in his extremity he tried to climb the red-brown flagstaff—and woke perspiring at the moment when the pursuer seized him by his trouser-leg.
Hardly was he calm when slumber claimed him once more. The content of his dream entirely changed, and he stood trying to shoulder Settembrini away from the spot where they stood, the Italian smiling in his subtle, mocking way, under the full, upward-curving moustaches—and it was precisely this smile which Hans Castorp found so injurious.
“You are a bother,” he distinctly heard himself say. “Get away, you are only a hand-organ man, and you are in the way here.” But Settembrini would not let himself be budged; Hans Castorp was still standing considering what was to be done when he was unexpectedly vouchsafed a signal insight into the true nature of time; it proved to be nothing more or less than a “silent sister,” a mercury column without degrees, to be used by those who wanted to cheat. He awoke with the thought in his mind that he must certainly tell Joachim of this discovery on the morrow.
In such adventures, among such discoveries, the night wore away. Hermine Kleefeld, as well as Herr Albin and Captain Miklosich, played fantastic roles—the last carried off Frau Stöhr in his fury, and was pierced through and through with a lance by Lawyer Paravant. One particular dream, however, Hans Castorp dreamed twice over during the night, both times in precisely the same form, the second time toward morning. He sat in the dining-hall with the seven tables when there came a great crashing of glass as the verandah door banged, and Madame Chauchat entered in a white sweater, one hand in her pocket, the other at the back of her head. But instead of going to the “good” Russian table, the unmannerly female glided noiselessly to Hans Castorp’s side and without a word reached him her hand—not the back, but the palm—to kiss. Hans Castorp kissed that hand, which was not overly well kept, but rather broad, with stumpy fingers, the skin roughened next the nails. And at that there swept over him anew, from head to foot, the feeling of reckless sweetness he had felt for the first time when he tried to imagine himself free of the burden of a good name, and tasted the boundless joys of shame. This feeling he experienced anew in his dream, only a thousandfold stronger than in his waking hour.
Chapter IV
Necessary Purchases
“Is your summer over now?” Hans Castorp ironically asked his cousin, on the third day.
There had come a violent change of scene.
On the visitor’s second full day up here, the most brilliant summer weather prevailed. Above the aspiring lance-shaped tips of the fir-trees the sky gleamed deepest blue, the village down in the valley glared white in the heat, and the air was filled with the sound, half gay, half pensive, of bells, from the cows that roamed the slopes, cropping the short, sun-warmed meadow grass. At early breakfast the ladies appeared in lingerie blouses, some with openwork sleeves, which did not become them all alike. In particular it did not suit Frau Stöhr, the skin of whose arms was too porous; such a fashion was distinctly not for her. The masculine population too had in various ways taken cognizance of the fine weather: they sported mohair coats and linen suits—Joachim Ziemssen had put on white flannel trousers with his blue coat, and thus arrayed looked more military than ever.
As for Settembrini, he had more than once announced his intention of changing. “Heavens, how hot the sun is!” he said, as he and the cousins strolled down to the village after luncheon. “I see I shall have to put on thinner clothes.” Yet after this explicit expression of his intentions, he continued to appear in his check trousers and pilot coat with the wide lapels. They were probably all his wardrobe could boast.
But on the third day it seemed as though nature suffered a sudden reverse; everything turned topsy-turvy. Hans Castorp could scarcely trust his eyes. It happened when they were lying in their balconies, some twenty minutes after the midday meal. Swiftly the sun hid its face, ugly turf-coloured clouds drew up over the southwestern ridge, and a wind from a strange quarter, whose chill pierced to the marrow, as though it came out of some unknown icy region, swept suddenly through the valley; down went the thermometer—a new order obtained.
“Snow,” said Joachim’s voice, behind the glass partition.
“What do you mean, snow?” Hans Castorp asked him. “You don’t mean to say it is going to snow now?”
“Certainly,” answered Joachim. “We know that wind. When it comes, it means sleighing.”
“Rubbish!” Hans Castorp said. “If I remember rightly, it is the beginning of August.”
But Joachim, versed in the signs of the region, knew whereof he spoke. For in a few minutes, accompanied by repeated claps of thunder, a furious snowstorm set in, so heavy that the landscape seemed wrapped in white smoke, and of village and valley scarcely anything could be seen.
It snowed away all the afternoon. The heat was turned on. Joachim availed himself of his fur sack, and was not deterred from the service of the cure; but Hans Castorp took refuge in his room, pushed up a chair to the hot pipes, and remained there, looking with frequent head-shakings at the enormity outside. By next morning the storm had ceased. The thermometer showed a few degrees above freezing, but the snow lay a foot deep, and a completely wintry landscape spread itself before Hans Castorp’s astonished eyes. They had turned off the heat. The temperature of the room was 45°.
“Is your summer over now?” Hans Castorp asked his cousin, in bitter irony.
“You can’t tell,” answered the matter-of-fact Joachim. “We may have fine summer weather yet. Even in September it is very possible. The truth is, the seasons here are not so distinct from each other; they run in together, so to speak, and don’t keep to the calendar. The sun in winter is often so strong that you take off your coat, and perspire as you walk. And in summer—well, you see for yourself! And then the snow, that puts out all one’s calculations. It snows in January, but in May not much less, and, as you observe, it snows in August too. On the whole, one may say there is never a month without snow; you may take that for a rule. In short, there are winter days and summer days, spring and autumn days; but regular seasons we don’t actually have up here.”
“A fine mixed-up state of affairs,” said Hans Castorp. In overcoat and galoshes he went with his cousin down to the village, to buy himself blankets for the out-of-doors cure, since it was plain his plaid would not suffice. For the moment he even weighed the thought of purchasing a fur sack as well, but gave it up, indeed, felt a certain revulsion from the idea.
“No, no,” he said, “we’ll stop at the covers. I’ll have use for them down below, and everybody has covers; there’s nothing strange or exciting about them. But a fur sack is altogether too special—if I buy one, it is as if I were going to settle down here, as if I belonged, understand what I mean? No, for the present we’ll let it go at that; it would absolutely not be worth while to buy a sack for the few weeks I’m up here.”
Joachim agreed, and they acquired two camel’s-hair rugs like his own, in a fine and well-stocked shop in the English quarter. They were in natural colour, long, broad, and delightfully soft, and were to be sent at once to the International Sanatorium Berghof, Room 34: Hans Castorp looked forward to using them that very afternoon.
This, of course, was after second breakfast, for otherwise the daily programme left no time sufficient to go down into the Platz. It was raining now, and the snow in the streets had turned to a slush that spattered as they walked. They overtook Settembrini on the road, climbing up to the sanatorium under an umbrella, bareheaded. The Italian looked sallow; his mood was obviously elegiac. In well-chosen, clearly enunciated phrases he complained of the cold and damp from which he suffered so bitterly. If they would only heat the building! But the ruling powers, in their penuriousness, had the fire go out directly it stopped snowing—an idiotic rule, an insult to human intelligence. Hans Castorp objected that presumably a moderate temperature was part of the regimen of the cure; it would certainly not do to coddle the patients. But Settembrini answered with embittered scorn. Oh, of course, the regimen of the cure! Those august and inviolate rules! Hans Castorp was right in referring to them, as he did, with bated breath. Yet it was rather striking (of course only in the pleasantest sense) that the rules most honoured in the observance were precisely those which chimed with the financial interest of the proprietors of the establishment; whereas, on the other hand, to those less favourable they were inclined to shut an eye. The cousins laughed, and Settembrini began to speak of his deceased father, who had been brought to his mind in connection with the talk about heated rooms.
“My father,” he said slowly, in tones replete with filial piety, “my father was a most delicately organized man, sensitive in body as in soul. How he did love his tiny, warm little study! In winter a temperature of twenty degrees Réaumur must always obtain there, by means of a small red-hot stove. When you entered it from the corridor on a day of cold and damp, or when the cutting tramontana blew, the warmth of it laid itself about you like a shawl, so that for very pleasure your eyes would fill with tears. The little room was stuffed with books and manuscripts, some of them of great value; he stood among them, at his narrow desk, in his blue flannel nightshirt, and devoted himself to the service of letters. He was small and delicately built, a good head shorter than I—imagine!—but with great tufts of grey hair on his temples, and a nose—how long and pointed it was! And what a Romanist, my friends! One of the first of his time, with a rare mastery of our own tongue, and a Latin stylist such as no longer exists—ah, a ‘uomo letterato’ after Boccaccio’s own heart! From far and wide scholars came to converse with him—one from Haparanda, another from Krakow they came to our city of Padua, expressly to pay him homage, and he received them with dignified friendliness. He was a poet of distinction too, composing in his leisure tales in the most elegant Tuscan prose—he was a master of the idioma gentile,” Settembrini said, rolling his native syllables with the utmost relish on his tongue and turning his head from side to side. “He laid out his little garden after Virgil’s own plan—and all that he said was sane and beautiful. But warm, warm he must have it in his little room; otherwise he would tremble with cold, and he could weep with anger if they let him freeze. And now imagine, Engineer, and you, Lieutenant, what I, the son of my father, must suffer in this accursed and barbarous land, where even at summer’s height the body shakes with cold, and the spirit is tortured and debased by the sights it sees.—Oh, it is hard! What types about us! This frantic devil of a Hofrat, Krokowski”—Settembrini pretended to trip over the name—“Krokowski, the father-confessor, who hates me because I’ve too much human dignity to lend myself to his papish practices.—And at my table—what sort of society is that in which I am forced to take my food? At my right sits a brewer from Halle—Magnus by name—with a moustache like a bundle of hay. ‘Don’t talk to me about literature,’ says he. ‘What has it to offer? Anything but beautiful characters? What have I to do with beautiful characters? I am a practical man, and in life I come into contact with precious few.’ That is the idea he has of literature—beautiful characters! Mother of God! His wife sits there opposite him, losing flesh all the time, and sinking further and further into idiocy. It is a filthy shame.”
Hans Castorp and Joachim were in silent agreement about this talk of Settembrini’s: they found it querulous and seditious in tone, if also highly entertaining and “plastic” in its verbal pungency and animus. Hans Castorp laughed good-humouredly over the “bundle of hay,” likewise over the “beautiful characters”—or, rather, the drolly despairing way Settembrini spoke of them.
Then he said: “Good Lord, yes, the society is always mixed in a place like this, I suppose. One’s not allowed to choose one’s tablemates—that would lead to goodness knows what! At our table there is a woman of the same sort, a Frau Stöhr—I think you know her? Ghastly ignorant, I must say—sometimes when she rattles on, one doesn’t know where to look. But she complains a lot about her temperature, and how relaxed she feels, and I’m afraid she is by no means a light case. That seems so strange to me: diseased and stupid both—I don’t exactly know how to express it, but it gives me a most peculiar feeling, when somebody is so stupid, and then ill into the bargain. It must be the most melancholy thing in life. One doesn’t know what to make of it; one wants to feel a proper respect for illness, of course—after all there is a certain dignity about it, if you like. But when such asininity comes on top of it—‘cosmic’ for ‘cosmetic,’ and other howlers like that—one doesn’t know whether to laugh or to weep. It is a regular dilemma for the human feelings—I find it more deplorable than I can say. What I mean is, it’s not consistent, it doesn’t hang together; I can’t get used to the idea. One always has the idea of a stupid man as perfectly healthy and ordinary, and of illness as making one refined and clever and unusual. At least as a rule—or I don’t know, perhaps I am saying more than I could stand for,” he finished. “It was only because we happened to speak of it”—He stopped in confusion.
Joachim too looked rather uncomfortable, and Settembrini lifted his eyebrows and said not a word, with an air of waiting politely for the end of his speech. He was, in fact, holding off until Hans Castorp should break down entirely before he answered. But now he said: “Sapristi, Engineer! You are displaying a most unexpected gift of philosophy! By your own theory, you must be yourself more ailing than you look, you are so obviously possessed of esprit. But, if you will permit me to say so, I can hardly subscribe to your deductions; I must deny them; my position is one of absolute dissent. I am, as you see, rather intolerant than otherwise in things of the intellect; I would rather be reproached as a pedant than suffer to pass unchallenged a point of view which seemed to me so untenable as this of yours.”
“But, Herr Settembrini, I—”
“Per‑mit me. I know what you would say: that the views you represent are not, of necessity, your own; that you have only chanced upon that one of all the possible ones there are, as it were, in the air, and you try it on, without personal responsibility. It befits your time of life, thus to avoid the settled convictions of the mature man, and to make experiments with a variety of points of view. Placet experiri,” he quoted, giving the Italian pronunciation to the c. “That is a good saying. But what troubles me is that your experiment should lead you in just this direction. I doubt if it is a question of sheer chance. I fear the presence of a general tendency, which threatens to crystallize into a trait of character, unless one makes head against it. I feel it my duty, therefore, to correct you. You said that the sight of dullness and disease going hand in hand must be the most melancholy in life. I grant you, I grant you that. I too prefer an intelligent ailing person to a consumptive idiot. But I take issue where you regard the combination of disease with dullness as a sort of aesthetic inconsistency, an error in taste on the part of nature, a ‘dilemma for the human feelings,’ as you were pleased to express yourself. When you professed to regard disease as something so refined, so—what did you call it?—possessing a ‘certain dignity’—that it doesn’t ‘go with’ stupidity. That was the expression you used. Well, I say no! Disease has nothing refined about it, nothing dignified. Such a conception is in itself pathological, or at least tends in that direction. Perhaps I may best arouse your mistrust of it if I tell you how ancient and ugly this conception is. It comes down to us from a past seething with superstition, in which the idea of humanity had degenerated and deteriorated into sheer caricature; a past full of fears, in which well-being and harmony were regarded as suspect and emanating from the devil, whereas infirmity was equivalent to a free pass to heaven. Reason and enlightenment have banished the darkest of these shadows that tenanted the soul of man—not entirely, for even yet the conflict is in progress. But this conflict, my dear sirs, means work, earthly labour, labour for the earth, for the honour and the interests of mankind; and by that conflict daily steeled anew, the powers of reason and enlightenment will in the end set humanity wholly free and lead it in the path of progress and civilization toward an even brighter, milder, and purer light.”
“Lord bless us,” thought Hans Castorp, in shamefaced consternation. “What a homily! How, I wonder, did I call all that down on my head? I must say, I find it rather prosy. And why does he talk so much about work all the time? It is his constant theme; not a very pertinent one up here, one would think.” Aloud he said: “How beautifully you do talk, Herr Settembrini! What you say is very well worth hearing—and could not be more—more plastically expressed, I should think.”
“Backsliding,” continued Settembrini, as he lifted his umbrella away above the head of a passerby, “spiritual backsliding in the direction of that dark and tortured age, that, believe me, Engineer, is disease—a disease already sufficiently studied, to which various names have been given: one from the terminology of aesthetics and psychology, another from the domain of politics—all of them academic terms which are not to the point, and which I will spare you. But as in the spiritual life everything is interrelated, one thing growing out of another, and since one may not reach out one’s little finger to the Devil, lest he take the whole hand, and therewith the whole man; since, on the other side, a sound principle can produce only sound results, no matter which end one begins at—so disease, far from being something too refined, too worthy of reverence, to be associated with dullness, is, in itself, a degradation of mankind, a degradation painful and offensive to conceive. It may, in the individual case, be treated with consideration; but to pay it homage is—mark my words—an aberration, and the beginning of intellectual confusion. This woman you have mentioned to me—you will pardon me if I do not trouble to recall her name—ah, thank you, Frau Stöhr—it is not, it seems to me, the case of this ridiculous woman which places the human feelings in the dilemma to which you refer. She is ill, and she is limited; her case is hopeless, and the matter is simple. There is nothing left but to pity and shrug one’s shoulders. The dilemma, my dear sir, the tragedy, begins where nature has been cruel enough to split the personality, to shatter its harmony by imprisoning a noble and ardent spirit within a body not fit for the stresses of life. Have you heard of Leopardi, Engineer, or you, Lieutenant? An unhappy poet of my own land, a crippled, ailing man, born with a great soul, which his sufferings were constantly humiliating and dragging down into the depths of irony—its lamentations rend the heart to hear.”
And Settembrini began to recite in Italian, letting the beautiful syllables melt upon his tongue, as he closed his eyes and swayed his head from side to side, heedless that his hearers understood not a syllable. Obviously it was all done for the sake of impressing his companions with his memory and his pronunciation.
“But you don’t understand; you hear the words, yet without grasping their tragic import. My dear sirs, can you comprehend what it means when I tell you that it was the love of woman which the crippled Leopardi was condemned to renounce; that this it principally was which rendered him incapable of avoiding the embitterment of his soul? Fame and virtue were shadows to him, nature an evil power—and so she is, stupid and evil both, I agree with him there—he even despaired, horrible to say, he even despaired of science and progress! Here, Engineer, is the true tragedy. Here you have your ‘dilemma for the human feelings,’ here, and not in the case of that wretched woman, with whose name I really cannot burden my memory. Do not, for heaven’s sake, speak to me of the ennobling effects of physical suffering! A soul without a body is as inhuman and horrible as a body without a soul—though the latter is the rule and the former the exception. It is the body, as a rule, which flourishes exceedingly, which draws everything to itself, which usurps the predominant place and lives repulsively emancipated from the soul. A human being who is first of all an invalid is all body; therein lies his inhumanity and his debasement. In most cases he is little better than a carcass—”
“Funny,” Joachim said, bending forward to look at his cousin, on Herr Settembrini’s farther side. “You were saying something quite like that just lately.”
“Was I?” said Hans Castorp. “Yes, it may be something of the kind went through my head.”
Settembrini was silent a few paces. Then he said: “So much the better. So much the better if that is true. I am far from claiming to expound an original philosophy—such is not my office. If our engineer here has been making observations in harmony with my own, that only confirms my surmise that he is an intellectual amateur and up to the present, as is the wont of gifted youth, still experimenting with various points of view. The young man with parts is no unwritten page, he is rather one upon which all the writing has already been done, in sympathetic ink, the good and the bad together; it is the schoolmaster’s task to bring out the good, to obliterate forever the bad, by the methods of his profession.—You have been making purchases?” he asked, in a lighter tone.
“No,” Hans Castorp said. “That is, nothing but—”
“We ordered a pair of blankets for my cousin,” Joachim answered unconcernedly.
“For the afternoon cure—it’s got so beastly cold; and I am supposed to do as the Romans do, up here,” Hans Castorp said, laughing and looking at the ground.
“Ah ha! Blankets—the cure,” Settembrini said. “Yes, yes. In fact: placet experiri,” he repeated, with his Italian pronunciation, and took his leave, for their conversation had brought them to the door of the sanatorium, where they greeted the lame concierge in his lodge. Settembrini turned off into one of the sitting-rooms, to read the newspapers before luncheon. He evidently meant to cut the second rest period.
“Bless us and keep us!” Hans Castorp said to Joachim, as they stood in the lift. “What a pedagogue it is! He said himself that he had the ‘pedagogic itch.’ One has to watch out with him, not to say more than one means, or he is down on you at once with all his doctrines. But after all, it is worth listening to, he talks so well; the words come jumping out of his mouth so round and appetizing—when I listen to him, I keep seeing a picture of fresh hot rolls in my mind’s eye.”
Joachim laughed. “Better not tell him that. He’d be very put out I’m sure, to hear the sort of image his words call up in your mind.”
“Think so? I’m not so sure. I get the impression that it is not simply and solely for the sake of edifying us that he talks; perhaps that’s only a secondary motive. The important one, I feel sure, is the talk itself, the way he makes his words roll out, so resilient, just like a lot of rubber balls! He is very pleased when you notice the effect. I suppose Magnus, the brewer, was rather stupid, after all, with his ‘beautiful characters’; but I do think Settembrini might have said what the point really is in literature. I did not like to ask, for fear of putting my foot in it; I am not just clear about it, and this is the first time I have ever known a literary man. But if it isn’t the beautiful characters, then obviously it must be the beautiful words, and that is the impression I get from being in Settembrini’s society. What a vocabulary! and he uses the word ‘virtue’ just like that, without the slightest embarrassment. What do you make of that? I’ve never taken the word in my mouth as long as I’ve lived; in school, when the book said ‘virtus,’ we always just said ‘valour’ or something like that. It certainly gave me a queer feeling in my inside, to hear him. And it makes me nervous to hear him scolding, about the cold, and Behrens, and Frau Magnus because she is losing weight, and about pretty well everything. He is a born objector, I saw that at once, down on the existing order; and that always gives me the impression that the person is spoilt—I can’t help it.”
“You say that,” Joachim answered consideringly, “and yet he has a kind of pride about him that makes an altogether different impression: as of a man who has great respect for himself, or for humanity in general; and I like that about him; it has something good, in my eyes.”
“You are right, there,” Hans Castorp answered. “He’s even austere; he makes one feel rather uncomfortable, as if you were—well, shall I say as if you were being taken to task? That’s not such a bad way to describe it. Can you believe it, I had the feeling he was not at all pleased at my buying the blankets? He had something against it, and he kept dwelling on it.”
“Oh, no,” Joachim said after reflecting, in some surprise. “How could he have? I shouldn’t think so.” And then, thermometer in mouth, with sack and pack, he went to lie down, while Hans Castorp began at once to wash and change for dinner—which was rather less than an hour away.
Excursus on the Sense of Time
When they came upstairs after the meal, the parcel containing the blankets lay on a chair in Hans Castorp’s room; and that afternoon he made use of them for the first time. The experienced Joachim instructed him in the art of wrapping himself up, as practised in the sanatorium; they all did it, and each newcomer had to learn. First the covers were spread, one after the other, over the chair, so that a sizable piece hung down at the foot. Then you sat down and began to put the inner one about you: first lengthwise, on both sides, up to the shoulders, and then from the feet up, stooping over as you sat and grasping the folded-over end, first from one side and then from the other, taking care to fit it neatly into the length, in order to ensure the greatest possible smoothness and evenness. Then you did precisely the same thing with the outer blanket—it was somewhat more difficult to handle, and our neophyte groaned not a little as he stooped and stretched out his arms to practise the grips his cousin showed him. Only a few old hands, Joachim said, could wield both blankets at once, flinging them into position with three self-assured motions. This was a rare and enviable facility, to which belonged not only long years of practice, but a certain knack as well. Hans Castorp had to laugh at this, lying back in his chair with aching muscles; Joachim did not at once see anything funny in what he had said, and looked at him dubiously, but finally laughed too.
“There,” he said, when Hans Castorp lay at last limbless and cylindrical in his chair, with the yielding roll at the back of his neck, quite worn out with all these gymnastic exercises; “there, nothing can touch you now, not even if we were to have ten below zero.” He withdrew behind the partition, to do himself up in his turn.
That about the ten below zero Hans Castorp doubted; he was even now distinctly cold. He shivered repeatedly as he lay looking out through the wooden arch at the reeking, dripping damp outside, which seemed on the point of passing over into snow. It was strange that with all that humidity his cheeks still burned with a dry heat, as though he were sitting in an overheated room. He felt absurdly tired from the practice of putting on his rugs; actually, as he held up Ocean Steamships to read it, the book shook in his hands. So very fit he certainly was not—and totally anaemic, as Hofrat Behrens had said; this, no doubt, was why he was so susceptible to cold. But such unpleasing sensations were outweighed by the great comfort of his position, the unanalysable, the almost mysterious properties of his reclining-chair, which he had applauded even on his first experience of it, and which reasserted themselves in the happiest way whenever he resorted to it anew. Whether due to the character of the upholstering, the inclination of the chair-back, the exactly proper width and height of the arms, or only to the appropriate consistency of the neck roll, the result was that no more comfortable provision for relaxed limbs could be conceived than that purveyed by this excellent chair. The heart of Hans Castorp rejoiced in the blessed fact that two vacant and securely tranquil hours lay before him, dedicated by the rules of the house to the principal cure of the day; he felt it—though himself but a guest up here—to be a most suitable arrangement. For he was by nature and temperament passive, could sit without occupation hours on end, and loved, as we know, to see time spacious before him, and not to have the sense of its passing banished, wiped out or eaten up by prosaic activity. At four o’clock he partook of afternoon tea, with cake and jam. Followed a little movement in the open air, then rest again, then supper—which, like all the other mealtimes, afforded a certain stimulus for eye and brain, and a certain sense of strain; after that a peep into one or other of the optical toys, the stereoscope, the kaleidoscope, the cinematograph. It might be still too much to say that Hans Castorp had grown used to the life up here; but at least he did have the daily routine at his fingers’ ends.
There is, after all, something peculiar about the process of habituating oneself in a new place, the often laborious fitting in and getting used, which one undertakes for its own sake, and of set purpose to break it all off as soon as it is complete, or not long thereafter, and to return to one’s former state. It is an interval, an interlude, inserted, with the object of recreation, into the tenor of life’s main concerns; its purpose the relief of the organism, which is perpetually busy at its task of self-renewal, and which was in danger, almost in process, of being vitiated, slowed down, relaxed, by the bald, unjointed monotony of its daily course. But what then is the cause of this relaxation, this slowing-down that takes place when one does the same thing for too long at a time? It is not so much physical or mental fatigue or exhaustion, for if that were the case, then complete rest would be the best restorative. It is rather something psychical; it means that the perception of time tends, through periods of unbroken uniformity, to fall away; the perception of time, so closely bound up with the consciousness of life that the one may not be weakened without the other suffering a sensible impairment. Many false conceptions are held concerning the nature of tedium. In general it is thought that the interestingness and novelty of the time-content are what “make the time pass”; that is to say, shorten it; whereas monotony and emptiness check and restrain its flow. This is only true with reservations. Vacuity, monotony, have, indeed, the property of lingering out the moment and the hour and of making them tiresome. But they are capable of contracting and dissipating the larger, the very large time-units, to the point of reducing them to nothing at all. And conversely, a full and interesting content can put wings to the hour and the day; yet it will lend to the general passage of time a weightiness, a breadth and solidity which cause the eventful years to flow far more slowly than those poor, bare, empty ones over which the wind passes and they are gone. Thus what we call tedium is rather an abnormal shortening of the time consequent upon monotony. Great spaces of time passed in unbroken uniformity tend to shrink together in a way to make the heart stop beating for fear; when one day is like all the others, then they are all like one; complete uniformity would make the longest life seem short, and as though it had stolen away from us unawares. Habituation is a falling asleep or fatiguing of the sense of time; which explains why young years pass slowly, while later life flings itself faster and faster upon its course. We are aware that the intercalation of periods of change and novelty is the only means by which we can refresh our sense of time, strengthen, retard, and rejuvenate it, and therewith renew our perception of life itself. Such is the purpose of our changes of air and scene, of all our sojourns at cures and bathing resorts; it is the secret of the healing power of change and incident. Our first days in a new place, time has a youthful, that is to say, a broad and sweeping, flow, persisting for some six or eight days. Then, as one “gets used to the place,” a gradual shrinkage makes itself felt. He who clings or, better expressed, wishes to cling to life, will shudder to see how the days grow light and lighter, how they scurry by like dead leaves, until the last week, of some four, perhaps, is uncannily fugitive and fleet. On the other hand, the quickening of the sense of time will flow out beyond the interval and reassert itself after the return to ordinary existence: the first days at home after the holiday will be lived with a broader flow, freshly and youthfully—but only the first few, for one adjusts oneself more quickly to the rule than to the exception; and if the sense of time be already weakened by age, or—and this is a sign of low vitality—it was never very well developed, one drowses quickly back into the old life, and after four-and-twenty hours it is as though one had never been away, and the journey had been but a watch in the night.
We have introduced these remarks here only because our young Hans Castorp had something like them in mind when, a few days later, he said to his cousin, and fixed him with his bloodshot eyes: “I shall never cease to find it strange that the time seems to go so slowly in a new place. I mean—of course it isn’t a question of my being bored; on the contrary, I might say that I am royally entertained. But when I look back—in retrospect, that is, you understand—it seems to me I’ve been up here goodness only knows how long; it seems an eternity back to the time when I arrived, and did not quite understand that I was there, and you said: ‘Just get out here’—don’t you remember?—That has nothing whatever to do with reason, or with the ordinary ways of measuring time; it is purely a matter of feeling. Certainly it would be nonsense for me to say: ‘I feel I have been up here two months’—it would be silly. All I can say is ‘very long.’ ”
“Yes,” Joachim answered, thermometer in mouth, “I profit by it too; while you are here, I can sort of hang on by you, as it were.” Hans Castorp laughed, to hear his cousin speak thus, quite simply, without explanation.
He Practises His French
Part 7 of 39